Every so often, I get a request for ‘derivative works’ permission — usually from a wildlife artist who wants to use a photo as the foundation for a painting or print. I particularly love it when the work is used to benefit an animal cause … like this painting of a Brown Pelican I photographed…
The Halloween Raven
When I photographed this Common Raven, wind surfing off Ocean Beach in San Francisco, I didn’t realize that new life would continually germinate from this one photo … through my Creative Commons license and into the public domain by way of sketches, artwork composites and collages. I’m always delighted when an image I’ve licensed under…
A Budding Amphipodologist
Chris Anderson said it back in 2004: The Internet has a long tail . . . so long, in fact, that a person can leap from being a writer one day, to a budding amphipodologist the next. This may not be the anecdote Anderson had in mind when he wrote about the long tail….
The Expanding Universe of Creative Commons
The biggest bennie of attaching a Creative Commons license to your work is the unanticipated adaptation of that work in a share-alike universe. What? That is to say, I love the chain reaction that ensues from a single act of licensing — seeing the places your work travels, usually with proper attribution and adherence to…
